November Miquel Estrada Response (MIESFE - 64) what do we want to show this painting? My cyberpal and good photographer Miquel Estrada (MIESFE - 64) in previous entry (s / t) said ... "Hello Manolo, tell me that we want to show this picture because I do not know, a sad face? A hug. "
I wrap me in my response than normal, but I got something that I would share with everyone, and giving a bit of shape would look like.
" Hi Michael, when you make a realistic painting, trying to show what you see and say something by way of putting it or run it, it would be more like what you do with your artistic photographs. When you leave you enter realism a world of sensations that you feel before work, during the approach and also those that occur during execution, and try that it be written into the final result. But no less important in this case and more the closer we get to abstraction, is what the viewer feels. Therefore it is important that this is not passive, you can see an abstract work that looks like a potato, you have to be receptive, and not to stay with surface information, technique, material ... you have to look that makes you feel. If you feel something, it's great if you get excited and it rocks for me is like music, you do not hear notes beats and rhythms .. you let go, and do not you wonder what the composer meant, and often do not match your feelings with those of the author, but that's not important, the important thing (I would say that matters) is what you feel.
Well then roll up, yes, I wanted to show a sad face, but not to mourn pain, that pain inside that is reflected in the eyes, they should also bear in mind that it is a great work, is a more a reflection on the feelings.
But this is not important what you felt to see the play, if you did it with intent to do something, I mean if you look at it without seeing it is like when you go through the corridors of the metro and not hear the music, but if view with the intention of seeing, it may take two things that tell time swinishness often happens because that is what a mess, or else you start to have feelings inside you, a communication the work, not with the author, and that's great, as well as the re, donors and me, your hair stands on end, going to the ocher, green and magenta make your hair stand on end . And just as there is to know music to enjoy it should not Paint know to enjoy it, any more than you thought you should know the composer, not have to know that he thought the painter. Some relish the zarzuela and others with the classic, there is even anyone who loves rap, because the same thing happens in painting, I like almost everything without fanaticism, I have my favorites and I hated and curiously happens to me both in music in painting. "
This was the answer for Michael, as a confession that I wanted to share with you, and now that I confess that my favorites are among Kandinsky and the" Die Bruke "and my hated, for me I have to think something else I think even rap can get something good. Surely the reference to music as well leave Kandinsky. But hey just my way of understanding this.
Greetings to all.
